Scenography

A simple word, almost discreet, but one that carries subversive power. It invites us to look at the world differently, to question the obvious, to reinvent our actions and our forms.

Designing the office of tomorrow means rejecting the rigid model of the anonymous open space. It means thinking differently: modular, bright, lively spaces that adapt to rhythms and needs. The office is no longer a place where we endure, but an ecosystem that stimulates creativity, encourages encounters, and allows for silence. Working differently means inhabiting a space that resembles us and breathes with us.

The office of tomorrow: a new way of approaching work The office of tomorrow goes beyond the idea of a simple workstation. It is a place designed as a complete environment, at the crossroads of architecture, design, well-being, and corporate culture. It incorporates modularity as a founding principle: spaces that transform throughout the day, mobile and flexible furniture, rooms that open or close depending on their use. Nothing is fixed; everything adapts to needs.
The office also becomes a place of health and well-being. Acoustics, natural light, ventilation, plants, and natural materials promote physical and mental balance. People work better because they feel good there. It also reflects the company’s identity and values. More than just a setting, it tells a story: that of a shared culture, a common aesthetic, a way of life at work. We no longer just come to “work”; we come to participate in a collective experience.

The office of tomorrow must also be sustainable. Incorporating recycled materials, extending the life of furniture, rethinking the use of space to avoid waste: it is no longer just functional, it is responsible.

Finally, it is a hybrid space. It interacts with remote working, creates connections when we return, and encourages encounters and informal moments that give rise to ideas. It is a catalyst for exchange, a space for creativity and breathing room.

After 2 years spent in the department of equipment and urban planning in the French overseas territories, Karl Petit held the positions of project manager, agency director, associate, artistic director and general manager in several space planning and interior architecture firms.

Today, as an independent architect for more than 25 years, he is involved in architectural rehabilitation (specializing in old stones, Parisian mansion, castle, exceptional residence…), interior architecture and decoration in the following areas Tertiary buildings (office spaces, law firms, notary offices, etc.) / Residential (mansions, apartments, villas, boats, etc.) / Hotel / restaurant / Scenography / museography (temporary exhibitions, fairs, etc.). he also develops the design of furniture, art of living and art of the table. A jack of all trades, he is passionate about global design and enjoys complex missions, most often between France and abroad, where he and his team develop the above-mentioned passionate professions. Recently member of the 1.618 community of sustainable luxury.